Photographer #237: Michael Donovan

Michael Donovan, 1977, USA, is a self-taught, highly productive, New York based fashion photographer. Even though photography was always somehow in Michaels life, whether it was shooting for the yearbook in highschool or working for the college newspaper, it wasn't until 2009 that he decided to try to succeed as a fashion photographer in New York. After spending 15 months working on his portfolio he felt the time was right to market himself in 2010. He wants to show people in their most smart, involved, sexiest, real, fun, raw and strongest moments of their personality. The following images come from his portfolio's Give and Take, Free to be Human and Facts of Life.




Website: www.michaeldonovanphotography.com

Tips for Birds Photography

Nature photography of birds can be a challenge for many people, but practice makes perfect! Here are some tips to get started. Choosing a camera - A digital SLR is the best option because you can change the lens from wide angle to macro. Some cameras are popular to begin: 
 
Canon Digital Rebel XS 10.1 MP 18-55mm lens - I have this camera, pictures of large animal products at a reasonable price. Nikon D90 12.3MP - If you have a better camera, which can include high definition video to make is your camera. It is quite expensive and does not include a goal, but worth it! 

 
Blind - If you do not shoot at inanimate objects should try with a blind, wild animals such as birds or large mammals recorded. If you're in your car, which will make for a perfect blind. 
action plans - these are really the most exciting shot, but it is necessary to luck or patience. Keep your distance and ready to fire. 

 
Objectives for landscape - Try it with a goal of wide-angle landscapes 24 mm. A wide-angle lens to give more depth of field. Depth - landscapes are much more effective when it has a maximum depth. For example, if you have a picture of a moose, including the background. Remember, you can always cut, but this technique allows you to include more color and texture. 

 
Tripod - For the best image stability, use a tripod! There are many options and you have to clear light. The tripods are especially useful for self-timer or remote release. For the camera of his subordinates, but they dare not to birds, enter into a cable news! 

 
Do you know your questions and practice! There are different types of birds caught on camera, all in your own backyard. Make your food to make the best lighting and angle of the image. If you want to shoot birds in the wild, go back and find the next red-winged blackbirds. They are very photogenic. Also talk with other birders can provide information on local observations.

Abstract Photography Guide & Tips

A rather ambiguous terminology some would say. Abstract photography is a genre of photography that lends itself to the exploration of various means of communication. When shooting abstract, it is important to have a good visual awareness about your subject, as abstract photography relies on shapes, forms and texture that is representative to its true to form.

Abstract whether in art or photography form, can be very personal. We are all familiar with Pollock, Kandinsky and Picasso, great 20th century artists that painted based on their environment and live experiences. Like them or not, they were great painters that had portrayed great visual content in abstract form.

Choosing a subject of abstract form can be very challenging. However, abstract photography can be very fulfilling, in that, it opens the mind to a brand new visual experience, one that stimulates the imagination beyond the normality of perspective.

Abstract photography is not just about shooting the image in its entirety. The perception of abstract photography has intrinsic values. The photographer not only concentrates on lines, forms and textures, but the compatibility of colours along with composition to achieve a great image. Abstract photography is the abstraction of part of an image that makes up the whole image. You remove all aspects of the image to reveal its artistic value.

It is amazing what you can find to photograph in an abstract way. Look around your home, your food cupboard, your fruit bowl and jewellery, all these make an ideal subject and will challenge your creativeness. Most abstract photography requires close focus to do it any justice. For example; you can use a 110mm macro lens that allows you to be 2cm away from your subject or, any short lens that allows you to
focus in closely.

To make your subject even more interesting, try spraying water on it or vary your lighting with various filters. This will not just enhance the image, but will transform it into something captivating and intriguing to the viewer. When editing your image in Photoshop, de-saturating the image to black and white and then adding little colour brings out key aspects of the image.

In essence, abstract photography is not a true reflection of the natural world. This is the beauty of it. It concentrates on a certain characteristic of the subject in an aesthetic way, and so the abstraction of a particular image becomes art. It draws you in and challenges you, it can move you, and it compels you to ask questions. It can be minimal, busy, colourful, dark and mysterious. You do not have to be a professional photographer to produce good abstract photography, nevertheless having some knowledge of the equipment and a good visual awareness will make this a fun thing to do whether for a hobby or professional pursuits.

Tips Landscape Photography Night

Night Landscape photography is one of the styles of photography from around the select lines of the image in the style of a photographer. Sometimes you can take panoramic landscape, sea, and bridges at night, if this was taken as part of the day. A cityscape at night with lights off as the stars in the sky a brilliant show, and when included in a photo, you can dazzle the eyes.

The flicker of photography is mainly controlled by the shutter speed and aperture. With the establishment may create small openings and seem to exaggerate the star radiating like the rays of light from small points of light in a scene. To get a good night, you may need to configure the camera settings to different values, so I was more convenient for landscape photography at night.

The most important thing to remember when one night landscape, is that you must be patient. If each image takes at least 10 minutes, you should be prepared for a long night. After a few shots over exposed or under or who trembles when a gust of wind at the wrong time, you could find yourself with a bouncer.

I think I have most of the best photos of Nightscape available rate. If I lost my job, then please let me know in the comments. I am happy you are.

Beach Wedding Photography 3 Tips

People around the world choose to have a wedding on the beach - and for good reasons. A portrait of a bride and groom to host their guests with the sunset over the water on the ground with sand in your feet and the wind, the hair can be a great feature in a wedding album.

Create a beach wedding, but maybe some uncertainties, the problems of each wedding photographers. This article describes three ways a wedding photographer to increase your chances of capturing the perfect shot.

First, keep an eye on the tides. Photographers often make the mistake of finding the perfect spot for the bride and groom. Then, on their wedding day dismay, there were three feet under water. This scenario can simply by tides or day and time of marriage can be avoided.

Second, be prepared with proper equipment. Coverage of your glasses is a necessity. The sand can damage the best lentils and water to ruin inside a camera. Subjects should also leave a little sand in the hands and feet. Talc is good for that. Make sure some of you in your pocket. There is a good possibility that someone will get wet. Bring a towel. You be the hero of marriage, when a person close to a tree.

Third, make sure you know when the sun goes down! They are seeking the perfect shot, you need to know what the light is easy to obtain. Plan with the bride and groom when it is time to take portraits.

Beach photography is a unique and rewarding in the photographic industry. Follow these three tips and brightest in the wedding portrait!

Photographer #236: Álvaro Ybarra Zavala

Álvaro Ybarra Zavala, 1979, Spain, is a photojournalist. In India he photographed HIV/Aids patients, as there are currently 2.27 million people that are HIV+. Despite being the fourth largest economy of the world, India only spends 1% of it's GDP in healthcare. Álvaro has concentrated on difficult stories around the globe, from the Haiti earthquake to the drama of the Burmese people and from armed groups in Venezuela to the war in Darfur. The list of countries he has been to is enormous and most of them are conflict zones. He has released five books, has been published in numerous magazines and has exhibited internationally. The following images come from the stories India, Congo and Afghanistan.




Website: www.alvaroybarra.com & www.reportage-bygettyimages.com

Tropical Wedding Photography Guide

After years of shooting in Florida, I noticed that most of the sunny subtropical paradise is really a great challenge for the average beginner photographer. If you or someone you know planning a big wedding to shoot without professional help, please send this link to make sure they know what they get.

That's what people need to know in wedding photography in offshore subtropical Florida, are interested in:

It is hot and humid - OK, that sounds like a fact until you really think. How long can you stand all the people waiting for the perfect photo for everything? Not so long. Therefore, it allows you to spend a couple of things to come for the people are ready to be risks covered, ready to be delivered in spurts and avoid taking into account a type of equipment Air ruin the shot. If all else fails, have air conditioning (ungekühlt! marsh) adjacent trailer to keep up with where everyone from the storm is over.

The water is magical, especially at slow shutter speeds - there's just something magical about water, but life offers is the mother, and is certainly romantic ... especially in the higher shutter speeds. The couple married is probably the ideal partner to take stand still in front of a waterfall or at the beach, the waves in the attraction at an angle, high waves for surfers, as it will ruin the fire effect.

Magic of water is also of high shutter speeds - Do you want a water sample that impressive capture states: love conquers all? If the region has in progress, the couple has a point where the waves break against the rocks and splashing water and be ready to shoot upward with a shutter speed reached. Unfortunately, it is very difficult to do well with anything other than ideal lighting conditions.

Look no time, weather - forecasters are educated guesses by nature, but their assumptions are nothing compared with his own eyes. This is doubly true if you plan a report that is several hours in the tropics and subtropics for its climate complex is known to be a seemingly random time.

Bring your glasses ... each of them - transporting you the right tools for the job, each of them. These include lenses and lighting, because you never know what the weather will throw at you.

Photographer #235: Miwa Yanagi

Miwa Yanagi, 1967, Japan, got recognized in 1994 with her series Elevator Girl which showed groups of uniformed girls in large and sterile interiors. Her photography is often theatrical and manipulated. Her latest series; Windswept Women shows gigantic women of different ages in warrior postures. The final prints are also immense. In My Grandmothers she asked young women to imagine their lives 50 years in the future. She then went on to photograph the women with the use of make-up and other attributes. In Fairy Tale she restaged scenes from fairy tales as Snow White and Cinderella. Her work is mostly about women in combination with the Japanese culture. The following images come from the series Windswept Women, My Grandmothers and Fairy Tale.




Website: www.yanagimiwa.net

Photographer #234: Gert Jochems

Gert Jochems, 1969, Belgium, first studied sociology and international relations before studying photography at the school of fine arts in Ghent. Between 2001 and 2005 he traveled to the far corners of Russia. In Siberia he documented the people in the post communist region. In 2005 the series Rus was released as a book. In Gaza Gert made compositions of three images, each time with a wall in the middle. He also focused on Dampremie, a suburb of Charleroi in Belgium, which suffers from high unemployent and poverty. Currently he is concentrating on the theme sex, not the stylized version, but the gritty amateur world of sex and the imperfect imagery. The following images come from the series about sex that is still in progress and the series Rus and Dampremie.




Website: www.gertjochems.bewww.agencevu.com

just for fun...more coming soon!

Photographer #233: Michael Light

Michael Light, 1963, USA, focuses on aerial photography. He looks at settled and unsettled areas across the USA and explores themes of mapping, human impact on land and environmental issues. He uses a handheld large format camera to make his photographs. He flies the aeroplane himself. He combines the images of each serie into a  narrative sequence and hand-makes mammoth artist's books out of them. Besides his own photography he makes books. Full Moon contains images from NASA's Apollo photographic archive and 100 Suns has images of visible nuclear testing in New Mexico. The following images come from the series White Ranch/Table Mountain/Rooney Valley, Salt River/Deadman Wash/Paradise Valley and Bingham Mine/Garfield Stack.





Website: www.michaellight.net

Photographer #232: Edgar Martins

Edgar Martins, 1977, Portugal, is more than just a landscape photographer. He is known for his stunning images of mostly non-beautiful places. In 2008 he released the book Topologies, containing work from several of his series. He has photographed forests that have suffered from fire, minimalist nighttime beaches with a pitch-black sky, airport runways that resemble runways from another planet and the landscapes of Iceland. Edgar has released several monographs, exhibited throughout the world, won numerous awards and his work is in various public and private collections. The following images come from the series A Metaphysical Survey of British DwellingsWhen Lights Casts No Shadow and The Accidental Theorist.





Website: www.edgarmartins.com

Sweet Angel Siena | OC Newborn Photographer

This little darling was such a good girl during her shoot! I was so happy to be invited to be a part of such a special part of this family's life. Their love for one another is genuine and strong, and it was so nice to see their happy family grow with the addition of little Siena! Here is a peek at our session...

Photographer #231: Chema Madoz

Chema Madoz, 1958, Spain is a photographer with a unique way of looking at objects. By combining or altering everyday objects he creates new worlds and stories. His photography is playful, full of humour and very poetic. At the same time the images by Madoz trigger our brain and confront us in how limited our gaze is when looking at our surroundings. His images are all about imagination and widening our horizon. The images are not digitally manipulated. He has released a vast number of books containing his creations. Chema has exhibited extensively throughout the world and his works are in numerous private and public collections. The following images come from his extensive portfolio.




Website: www.chemamadoz.com

Photographer #230: Dan Winters

Dan Winters, 1962, USA, is most known for his celebrity portraiture. An endless amount of politicians, musicians and actors have been photographed by Winters. However he does not limit himself to portraiture. Within his photography he also focuses on objects and documentary work. He also draws and makes videos. His photographs have been published in a vast number of magazines and he has received numerous awards for his work. The subjects he chooses to photograph are diverse, from Texas gangs to honeybees to his very own son. His first monograph was released in 2009 with the title; Periodical Photographs. The following images come from the portfolio People; People of Interest, Friends & Neighbors and Actors.




Website: www.danwintersphoto.com

Photographer #229: Albrecht Tübke

Albrecht Tübke, 1971, Germany, is a portrait photographer that also focuses on landscapes and objects. Most of his portraits are, whether taken of fashionable ladies in the streets of Italy, citizens of Europe and the US or the inhabitants of a small town called Dalliendorf, taken with the portrayed comletely in the frame, looking into the camera. His series Caves consists of portraits, objects, tins and landscapes. For more than a year Tübke went to the Marble Quarries in Carrara, Toscany. He was fascinated by the strange objects, the wonderful landscapes and the interesting people working there. Albrecht has exhibited extensively throughout the world. The following images come from Citizens, Caves and Heads.




Website: www.tuebke.info

Photographer #228: Victor Cobo

Victor Cobo, 1971, USA, is a self-taught photographer who lives and works in New York City. In 1999 he was fired from his first job after college after being caught with inappropriate photographs he had taken on the streets. That's when he began focusing on the margins of society. Cobo functions as both the choreographer and the actor in his images. His subjects, the "renegades, outsiders and survivors," are his reflections and companions in his photographic diaries. In this way his photographs are just as much about himself as they are of his subjects. Victor's work has been featured in numerous magazines an has been exhibited internationally. The following images come from the series Remember when you loved me, The face forgives the Mirror and Down in the Hole.




Website: www.victorcobo.com

Photographer #227: Meike Nixdorf

Meike Nixdorf, 1976, Germany, is a landscape photographer and video artist. She was educated in photography and video at the International Center of Photography in New York. The photographs in her series The Point of View tell stories about different places she visited between 2006 and 2009. She often photographs the same places but with slight changes as framing or the angle at which an image is taken. Besides her focus on her own personal work Meike joined forces with retoucher and photographer Grit Hackenberg in 2008 photographing architecture, landscapes and interiors. The following images come from Photographs I and II of the series The Point of View and from her portfolio In the Meantime.




Website: www.meikenixdorf.com

Photographer #226: Christian Chaize

Christian Chaize, 1960, France, has had a career as a commercial photographer for the past 20 years. Since 2004 he has become obsessed with a small strip of coastline in southern Portugal. This was a new start for his on-going personal work and has taken precedence over his professional ambitions. In the series Praia Piquinia he focused on one secluded beach front and photographed throughout the years with a large format camera from the exact same spot at the same elevated angle. The results show the variables as light, weather, the ocean and the people on the beach. The following images come from the series Praia Piquinia, To Praia Grande and Paradis.




Website: www.christianchaize.com

Photographer #225: Patrick Hoelck

Patrick Hoelck, 1968, USA, is a portrait and celebrity photographer. Next to being a photographer he also directed a large number of music and commercial video's. In 2009 he presented his first feature film called Mercy. Patrick has seen many celebrities and musicians in front of his lens, from Queens of the Stone Age to The Game and from Clint Eastwood all the way to Mandy Moore. During the last twelve years Patrick shot polaroids while working on commercial and personal projects. The polaroids will now be combined in the book Polaroid Hotel. The following images come from his portfolio's Portraits, B&W and Polaroid.





Website: www.patrickhoelck.com

Photographer #224: Alex Fradkin

Alex Fradkin, 1966, USA, originally studied and practiced architecture. It is no surprise that when he started his photographic career in 1996, he focused on architecture and landscapes. In 2011 two books will be released by Alex. One of the projects is Bunkers: Ruins of War in a New American Landscape. It contains images of whole or partially intact bunkers found across the San Francisco Bay Area. The serenity of the landscape is broken apart by the process of erosion and seismic activity that is gradually ripping the hillsides apart. The other project is The Left Coast: California on the Edge. Since 2006 Fradkin has documented the changing Californian coastline and it's people with a large format camera. Following images come from the series The Left Coast: California on the Edge, Bunkers: Ruins of War in a New American Landscape and The Lakeshore Project.




Website: www.alexfradkin.com